the correct way to make a quick Vincent Alvarez part – Static V

Theories of Atlantis recently posted this Vincent Alvarez quickie from Static V, and it is infinitely watchable. The strength of Alvarez’s skating lies in the style and flow. It’s those set-up tricks up the curb and the arm dangling roll aways that make him my favorite line skater (maybe a tie with Bobby Worrest).

There’s also some good content featuring Theories kingpin Josh Stewart talking about the unwritten rules of skate video editing and music selection over at Village Psychic. An interesting read, particularly after watching this Vincent Alvarez part with what I would consider questionable music selection.

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Jamie Thomas and the call for the Killaz

Jamie Thomas, or any human for the rest of existence, is not likely to ever top Welcome to Hell. While his parts in Thrill of It All, Misled Youth, Dying to Live, even Cold War and Heavy Metal are all pretty thrilling in their own right (and would rank tops in the CV of most  skaters), the only Chief part that even comes close to Welcome to Hell in rewatchability is the curveball that is 2002’s Chomp On This.

At a time when Jamie was fully ensconced as the king of big rails and tall drops, he unexpectedly dropped a part sprinkled with tech goodies, footplants, and what at the time  would be considered ‘dork tricks’. Expectations are filled with lofty frontside 5-0 grinds, bike rack nosegrinds, several satisfying backside 5-0 180s, and the obligatory Adrian Lopez cameo. We even get another classic Chief ‘I-can-do-that-one-better finger’. All the time honored tradition of a Jamie Thomas video.

But, wait, what’s this? Wallieing boards to tabletop tech dancing? Schoolyard lines featuring both a bench front crooks and a flatground bigflip? Laying hands on the Clipper hubba? And I don’t even really understand what the no-comply-flip-in-and-out manual thing was. And then there’s Master P. Against all odds it works, damn it.

In 2002, Jamie Thomas had reached an elite plateau of ability where he could cut loose with uncharacteristic tricks like this and produce something memorable, fun, and gnarly. A land with a short list of occupants such Koston, Haslam, the Gonz, and permanent resident Daewon. This part is also unexpectedly prescient of a future where steep rails and footplants are comfortably mixed in a single video part. Perhaps knowing this silly footage was going towards the homie video that was Chomp enabled Thomas to log tricks that were decidedly ‘non-Zero’. Jamie looks like he is having fun and not taking things seriously overall with this part.

One also hopes Jamie’s wardrobe at this time was also part of not taking things seriously attitude. I imagine the gold fronts and balaclava were just being silly. I don’t know if we can so kindly dismiss the extra-long frayed pant cuffs, the flapping sleeves, and the conspicuous bandana placement. The Chief had more fabric flapping than a semaphore conversation, amiright? The Freddy Kruger sweater kind of makes up for it all, though.

Anyways, I still prefer the Chomp era Jamie kit to that cop ‘stache he is sporting nowadays.

 

TJ Rogers – the most underrated skater of the recent past of the future

In the not so distant future, when we all continue our never ending critique/celebration of skateboarding on whatever media formats will have replaced Instagram and the Slap Message Boards (some virtual reality gathering where holograms all just yell at each other, I imagine), I have no doubt I will contribute mightily to the ‘most underrated skater of the 20-teens’ argument with a quick mention of TJ Rogers.

While he might get a little moment of sunshine for a massive switch frontside 360 here or there (Wallenberg here, Hollywood High 16 there), nobody seems to notice that he just finished top 5 at Tampa Pro, or released easily one of the greatest skate parts of 2016.

Ladies and gentlemen, TJ Rogers in Enter the Red Dragon:

This one checks nearly all the boxes for a legendary skate part:

Four minutes of footage with minimal 2nd angles and slow motion congratulatory hugging. Even the end zone dancing and bird flipping clips are rapid enough to keep the flow going rather than interrupting.

Boatloads of illmatic tech skating with nary a park ledge in sight. Front foot late flips, manuals out of ledges, and of course with all the spins and shoves.

Big gaps and stair sets: Fakie, nollie, regular, and obviously switch… TJ even drops a varial flip with style. He loves skating!

Street gaps, flat rail to drops, no push bump-to-bar lines, blind-side rotations into crusty banks, famous Philly ledges… and he even manages to keep the omnipresent Red Bull logo somewhat incognito.

And all this is held together with the perfect wrapping of a Masta Ace song that has been begging for skate video usage for 20 years. So, c’mon, you brainiac dumb dumbs, add Enter the Red Dragon to your playlist and let’s promote TJ from underrated to properly rated.

Fuck you and have a nice day.

Let’s not forget Ben Sanchez

Perma-Am Ben Sanchez, as seen here in Chocolate’s Las Nueve Vidas De Paco, was probably the least celebrated of the Chocolate (and maybe even Girl/Chocolate) team. His subtle and efficient style, quick push, and consistent lines were always tossed into the middle of the video, and he didn’t have the camera-mugging of a York or the popularity of a Gino. But I always appreciated his parts and think they stand out even more when singled out from the entire full length via youtube.

Even better is his part in Mouse:

Hell Spawn Nowison – Dustin Dollin 2011

The last Piss Drunk standing filmed an entire part for the Vans video (that would eventually be Propeller), but he clocked too much footage too fast and nobody else on the team had anything and wouldn’t for another four or so years.

So Dustin Dollin gave his footage to his homie and griptape sponsor and made a classic video part that stands soaked heads above everybody else’s in the video. He then re-upped enough footage for a shared part in Propeller and that slam-only / Pee-Wee’s nightmare part for Volcom in the meanwhile.

Torey Pudwill’s fantasticly frantic flatbar free-for-all film


Throughout all of 2016, Torey Pudwill was all hopped up on Red Bull and frantically searching the globe for interesting flatbars. Surprisingly enough, he found enough to log 4 minutes of footage and managed to throw down a decent part that celebrates creative architecture as much as (perhaps even more than) the skate tricks executed upon them.

The curvy beach rail was in contention for trick of the year, the lengthy log jam backside lipslide was refreshing, I’m still baffled that folks are skating those mini-arches border fence things like flatrails (never mind kicklfipping into lipslides on ’em), and don’t think I didn’t notice that frontside crooks on the convex bench bar.

On the down side, the arms flailing that was relatively under control in 2014 was back with a vengeance on some of these tricks. I also feel like they ran out of time on that sundown coy pond boardslide and couldn’t log a better trick at that spot.

All in all, without the big swill money to globetrot for single tricks and import flat rails into the salt flats, a nifty part like this wouldn’t exist, so Red Bull logo hats off to Torey and Bragg for putting this together. I’m a big fan of interesting spots and Flatbar Frenzy is worth another view now and again.

Brian Anderson – Yeah Right! – 2003

Brian Anderson has given us a lot. Starting with an as-yet unsponsored front blunt down Hubba Hideout through two Toy Machine parts, a Sheep Shoes part he somehow failed to reminisce about on the Nine Club, a SOTY, a Transworld Part, that whole first openly gay professional skateboarder (who isn’t a woman) thing, and, most importantly, his part in Girl Skateboards 2003 film Yeah Right.

The skating is just enormous and powerful. Ty Evans hadn’t gone off the deep end with his editing and camera gimmicks yet, the music selection is tops, and Brian hadn’t yet developed his affinity for bonelessing into all his tricks.

That rollercoaster bluntslide after the 3-up-3-down line is my favorite trick in the part.

I’ve selected the Thrasher “Classics” version to embed here since the quality is higher, but it should start after Duffman’s painful intro.

Gino – 101 – Trilogy

Dill’s Bobshirt interview, with a sprinkling of Miles Silvas executing a mid super-line LA gap switch back tail, got me hankering for some vintage Gino.

Let’s travel back to the golden afternoons of 1996 for a little 101 Trilogy action:

There are only a few skaters who have earned single-name status. Perhaps somewhat from having possession of an uncommon first name, sure, but truly carving out an undeniable mark in history with undeniably enviable style and talent. There is only one Gino, and it ain’t Gino Perez.

Caleb Barnett in Hockey III

The first 2 minutes of the Hockey III promo are monstrous. The cinematic doom soundtrack (a mix of 2001 monolith and Jóhann Jóhannsson) and slow-motion wind-up makes Caleb Barnett seem ten feet tall, tossing pop-shoveits over city blocks and making the earth shake when he casually bails an after-hammer flat ground heelflip. Melting ledges with a sideways stare down we haven’t seen since a bald Brian Anderson in 1996.