Tag Archives: Real

Zion Wright – Jupiter Rising & Real Part

It’s the day before Thanksgiving and Zion Wright just released his second full part of the year earlier today on Thrasher’s website. Real Skateboard‘s Skater of the Year intentions are loud and clear. So let’s not waste another moment and dive right into Jupiter Rising while revisiting his Real part from June and see how his candidacy stacks up.

First off, don’t be fooled by that 8:54 running time. There are 3 minutes of credits featuring a photographic retrospective of the part you just watched and what could easily be interpreted as an acceptance speech. Still, 5 minutes of skating is damn impressive and even with all the high fives and roll away footage, it’s pretty cram-jam with skateboarding stunts.

It is quite a compliment to Zion that such advanced handrail tricks as backside 360 ollie to frontside boardslide or kickflip frontside 50-50s or long tall overcrooks have been denigrated to “stock” status. But, alas, here we are and here are tricks we’ve seen in a part just five months ago (and also on King of the Road) and I find myself craving just one goddamn manual. Would it kill you to skate a ledge or do a wallie or something.

With that in mind, the bowl footage we get stands out as some of the strongest arguments in favor of Zion’s SOTY aspirations. Aired McTwists and kickflip Indy grabs gives some much needed depth to the part. The last two SOTYs were awarded to rail jockeys (one of which also rode for Real). So with just a few choice filming missions, Zion could easily recategorize himself into the ATV slot. It would give him a boost above the current crop of Tyson Petersons, Ducky Kovakses, and countless other round rail pinchers and carcass tossers numbing up the feed these days.

Half-cabbing into these things is still next level, though.

Jupiter Rising has to be digested in tandem with the bafflingly titled “Real” part from June. I actually prefer the “Real” (I’m already annoyed at having to put the title in quotes to distinguish it from other parts he may produce with his board sponsor, Real) part. But, really, the parts are just so similar.

Would one 12 minute part have been better? I would argue that it is wiser in this day and age for footage stacking skateboarders in their prime to break apart lengthy, multi-song parts into several digestible nuggets, and then release all but one of them at the end of the year.

Joey Bast – Real Non-Fiction – 1997


Joey Bast‘s quick part in the middle of Real’s Non-Fiction video paints a sweet portrait of mid-90s San Francisco skateboarding. The EMB/Union Square days were essentially over but the city still had lots of classic terrain available.The mass produced ‘skatestopper’ had yet to be marketed, the routineness of security guard encounters coupled with the plethora downtown spots made easy pickings for a skater with the obvious natural talent and baked-in pop of amateur Joey Bast. Thus, about half the tricks being filmed on the same day.

From an older Bobshirt interview: “I was kind of a procrastinator. When it came to filming I would always put it off, so in total I filmed for maybe two weeks. Real did set a deadline and I realized that I didn’t have enough footage, so all the footage where I’m wearing that stripped shirt was the last day of filming.”

Sitting amongst a legendary roster featuring prime Huf, laidback style king Drake Jones, barrier breaker Jamie Reyes, the Cardona twins, and the fucking Gonz, it would be easy to glaze over Joey Bast’s 90 seconds. He was dropped from the team not long after (or perhaps even before) the video was released, and other than a Planet Earth part and some 411 clips, that was all he had to give. Which is a shame, because the kid had a lot of loft in his tricks and some serious ambidexterity combined with the willpower to not film all his tricks at the trendiest bust-free SF street locale of the era, Pier 7.

So take a quick moment and appreciate a forgotten part that is as refreshing as a misty breath of fresh air before an elevated pop shove it.